no longer afraid of the dark or midday shadows nothing so ridiculously teenage and desperate nothing so childish at a better pace slower and more calculated no chance of escape now self-employed concerned (but powerless) an empowered and informed member of society (pragmatism not idealism) will not cry in public less chance of illness tires that grip in the wet (shot of baby strapped in back seat) a good memory still cries at a good film still kisses with saliva no longer empty and frantic like a cat tied to a stick that's driven into frozen winter shit (the ability to laugh at weakness) calm fitter, healthier and more productive a pig in a cage on antibiotics
I think that what I love more than anything is the way the man is in silhouette, and faceless. You really captured an "everyman" that way, the the stark darkness of the piece, as a whole, contributes very well to the notion of being trapped with no hope of escape. You really went beyond just capturing an image, a frozen moment in time, and with this, you engaged in some really wonderful storytelling.
What I also like, very much, is the manner in which this differs from a lot of your work. This lends a depth to your body of work as a whole, telling the peruser of your gallery that this is an artist with real range and vision, not one who will continue to just repeat himself. It makes your gallery, as a whole, more compelling in that it makes me, the observer, want to see what will come next.
What I also like, very much, is the manner in which this differs from a lot of your work. This lends a depth to your body of work as a whole, telling the peruser of your gallery that this is an artist with real range and vision, not one who will continue to just repeat himself. It makes your gallery, as a whole, more compelling in that it makes me, the observer, want to see what will come next.
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